Pascale montandon biography books

Pascale as a multimedia artist, and quite a remarkable one for her versatility and depth at once: this first approach of hers may be limited, and as such may be false. For Pascale is before anything else a painter. Each painting is like a gate open onto a landscape of dreams lived through this life.

Pascale montandon biography books: The work primarily catalogues the

When we see them, at first they surprise us: what are these lines, these waves that make the horizon shift and move and go and leave and return? What are these colors imbued in the paper, what do they say? They say that they are beyond discourse. We humans like to be told things, we like to know things, to understand why on earth there is life and death, god and devil.

They signal the vastness of artistic and spiritual experience. Some shelf-wear. Else bright, clean copy. Very Good. Seller Inventory SON Brand New! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers!

Pascale montandon biography books: Work · Bio · About

Buy from Lakeside Books!. Condition: As New. Unread book in perfect condition. Unread copy in mint condition. Seller Inventory PG When I studied and tried to define my sculptural style, my teachers pointed out that it was very Asian: cool or soft colours, fluid materials. My art found itself very removed from the Western tradition.

Pascale montandon biography books: Pascale Montandon-Jodorowsky: The idea for the

So I let myself be carried along by that style, in search of my origins, my identity. For me, it was about being true to myself without imitating, and being open to what life was giving me. I seek to be honest and never do anything attempting to win over or obtain the approval of the rest. PMJ: To be moved. In my imagination art takes us to the sacred, not in a religious sense but in a spiritual and mystic sense.

That is to say, it escapes the senses and the rational, and explains our relationship with the earthly world, as well as the cosmos and metaphysics. And my ideal is that my own art will do that too. PMJ: I think that the most important thing is that one wants to express oneself. One always starts with some predilection: I dedicated myself to painting because I felt it was my vertebral column, but a moment came in which I had the will and the necessity to leave the limits of the frame.

And so I started to work directly on a space. I wanted to do set design but not as a set designer, but rather from the persective of a painter. I met the choreographer Carolyn Carlson, who I found charming and who was for me the right person because, having side-stepped the usual structures and obligations of the profession, my gaze was sufficiently open that I accepted to work with a beginner.

Pascale montandon biography books: He is the author

In painting, you create an object that exists in the absolute, a kind of eternity. In Chile, during the filming of La danza de la realidadI took photos for our own archives: Alejandro wanted everything to be done with the greatest discretion, without professional photographers. It was when we returned to France and the distributors asked us for publicity material that my photos became the official photos of the film.

For me, the path is the same, only the materials change. And what most interests me is the dialogue that exists between these distinct expressions, as in the opera, which is the global art par excellence. VL: How would you define your artistic collaboration with Alejandro?