Ruairi mclean biography samples

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Sign up Log in. Search icon An illustration of a magnifying glass. Metropolitan Museum Cleveland Museum of Art. Internet Arcade Console Living Room. Open Library American Libraries. Search the Wayback Machine Search icon An illustration of a magnifying glass. Sign up for free Log in. British typographic designer.

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He was apprenticed in the printing trade at the Shakespeare Head Press, Oxford, where he worked on limited edition fine books. In he joined the J. McLean joined Penguin Books inwith special responsibility for design of the Puffin range, bringing Tschichold to advise on design. From he taught at the Royal College of Artand at the same time became involved with Rev.

Marcus Morris in the planning the layout of the new boys' comic, the Eagle. In he entered into partnership with George Rainbird to found the publishing company Rainbird, McLean, [ 1 ] designing and contributing to high-quality reproductions of bird and flower books, as well as the About Britain guides. By McLean was ready to move to a smaller concern, going into partnership with Fianach Jardine and resuming general design work.

He also edited 13 issues of Motifa quarterly magazine that incorporated painting and sculpture to its typographical content.

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He was a prolific collector of Victorian books and became an expert and well-known author of works on the subject. This was followed by books on Victorian Bookbindings in Cloth and Leather and on those in paper His best-known work is Magazine Designpublished in McLean was of the opinion that the design and layout of magazines was of crucial importance and significance in the pre-television era, and this work became known as a practitioner's manual for those in the profession.

McLean was author of numerous other works, including Modern Book Designand many of these have become standard reference works. McLean continued as a practising typographer, and was called upon by well-known British journals and magazines, such as The Observer 's weekend review, The EconomistNew Scientist and The Twentieth Century.